Emmanuel Macron wants to redefine French culture
But some Francophone writers are not impressed
A PHILOSOPHY graduate and unpublished novelist, Emmanuel Macron treats French culture like a national treasure, and the French language as a jewel. “French is the language of reason, it’s the language of light,” the president declared when inaugurating the Louvre in Abu Dhabi, a silver-domed gallery on a sandy shore that he called a museum “of the desert and light”. Mr Macron has vowed to make French the first language in Africa, and “perhaps” the world; he named a young bestselling Franco-Moroccan novelist, Leïla Slimani, to lead this mission. Yet his campaign to rejuvenate French, and to open the country up to writers who share the language around the world, has inadvertently revived a French culture war.
Today more people speak French in Kinshasa, capital of the Democratic Republic of Congo, than in Paris. By 2050, thanks to population growth in Africa, some 85% of the world’s French-speakers will live on the continent. Mr Macron has been promoting French on his recent travels to the Gulf, China and, pointedly, Ghana, an English-speaking west African country surrounded by French-speaking ones. Visiting Tunisia, he said he wanted to double the number learning French there by 2020.
This article appeared in the Culture section of the print edition under the headline “The river and the sea”
More from Culture
Tinned fish is swimming against the tide
Once a staple of wartime diets, it is now a social-media phenomenon
The Paris Olympics are breaking’s one shot to become a global sport
But its inclusion was not without controversy
The most memorable part of the Paris Olympics may be uncompetitive
Opening ceremonies remain a core part of the Olympic experience
The Seine may determine athletes’ success at the Paris Olympics
Yet the river plays an even more vital role in the culture and economy of the city
The real theme of J.D. Vance’s and Donald Trump’s memoirs
“Hillbilly Elegy” and “The Art of the Deal” reveal a lot about who the men are—and were
How “The Blair Witch Project” changed horror films
Released 25 years ago, it was a masterclass in doing more with less